Tuesday, March 30, 2010



Germany's "Democratic Party" in the 1930s

In my various writings I am much indebted to readers who send me interesting links and, occasionally, interesting books. One regular and generous correspondent has just sent me a copy of a recent book: Living with Hitler: Liberal Democrats in the Third Reich.

To understand what the book is about, you need to know that the German electoral system both then and now is/was run on proportional representation lines. There was nothing like the "First past the post" voting system that prevails in most Anglo-Saxon countries. In other words, the number of seats in the legislature that a party gets reflects roughly the proportion of votes cast that the party got in the most recent election. This invariably leads to a parliament in which MANY parties are represented, unlike the two-party system of the USA. It is very rare for any one party to get a majority of the seats available and governments are therefore usually formed by alliances between different parties. Israel and most of Europe has such a system to this day.

And in interwar Germany, politics were dominated by various flavours of Leftism. There was very little support for much in the way of conservatism. And the parties could be ranked in their degree of Leftism -- from Communist, to Nazi, to Social Democrats to Liberal Democrats. The Social Democrats were equivalent to the Labor parties that one finds in the Anglosphere, strongly allied with the Labor unions, and the Liberal Democrats saw themselves as "progressives", quite similar to the Democrats in the USA today. And it is that latter group that the book concerns.

So how did the German "Democrats" go in Hitler's Germany? Did they furiously resist Nazism, as the rhetoric of modern-day Democrats would suggest? No way! Like the FDR Democrats in the America of the 1930s, they got along with Hitler to various degrees. There were a small number of highly principled ones who fled Germany but most did little more than mutter and got by quite well under Hitler. Some even made distinguished careers under Hitler. Most thought that Hitler was too rough and too extreme but they appreciated his basic Leftism and went along with him willingly.

Conventional history since the war has focused on the small number of German "Democrats" who fled Germany but this latest book shows that they were highly atypical. If you want the details, you will have to read the book. It is a large and comprehensive work so you will be left in no doubt at the end of it about how easily "Democrats" can drift into Fascism. With the passage of Obamacare, many American conservatives would say the the drift concerned is now well underway in the USA.

Wednesday, March 10, 2010



Some stray thoughts on Vorwärts! Vorwärts! (The song of the Hitler Youth)

While I have the work I did on the subject a couple of days ago still in mind: I see that British critics of the HJ (Hitler Jugend; Hitler Youth) during the war described it as "education for death". And there have been academic articles that identify Fascism/Nazism as a death cult too. And if you look at the last line of the first verse of Vorwärts! Vorwärts! (below) you can see why. HJ members were encouraged to give up their lives for Hitler if need be.

But is it really fair to condemn that? Consider two other well-known statements: "Greater love hath no man than this, that a man lay down his life for his friends" (John 15:13). Is Christianity a death cult? Early Christians certain did often lay down their lives for their faith.

And what about: "Ask not what your country can do for you - ask what you can do for your country"? (Originally said by Pericles and recycled by JFK in his first inaugural). Was JFK inaugurating a death cult?

Neither quote is an exact analogue of what the HJ asked of its members but throughout history it has normally been seen as heroism to give up one's life for others and I personally see the sadly misled young members of the HJ as walking in that tradition. The only pity is that their dedication was so badly abused.

They in fact thought that they were fighting for Freiheit und Brot (freedom and bread). We forget in our age of affluence that an abundance of food for all is a quite recent achievement. Hunger was just around the corner for most people throughout history. And Hitler did promise to banish that danger via his policy of Lebensraum. And hunger is an urgent need so fighting for "bread" was a much more important goal in the time of the HJ than it is today. Hence its prominence in their song.

But perhaps the most interesting bit in Vorwärts! Vorwärts! is that the HJ also thought they were fighting for "freedom". Freedom from what? Basically, freedom from Jewish oppressors, I think. It was a fantasy of course but one that was widely believed at the time. The prominence of Jews in all walks of life in prewar Germany certainly helped foster that illusion.

And the flag of the HJ heralded "the new time". I can remember the days in the 50's, 60s and even 70s when "new" was a Leftist catchword. The "new" theatre or the "new" school would be understood by politically aware people as being on the far Left. So, as far Leftists, the Nazis presented themselves that way too. That tyranny and collectivism are as old as the hills was somehow ignored. But for a long time people did think -- or hope -- that Fascism and Communism were something new, improved and positive. I think it was the obviously sclerotic state of the old Soviet union that eventually caused the Left to abandon their propaganda about being "new". Though I suppose that "hopey change" is just a variation on it.
Uns're Fahne flattert uns voran. Our flag flutters before us
In die Zukunft ziehen wir Mann für Mann We trek into the future as man for man
Wir marschieren für Hitler We march for Hitler
Durch Nacht und durch Not Through night and hardship
Mit der Fahne der Jugend With the flag of youth
Für Freiheit und Brot. For freedom and bread
Uns're Fahne flattert uns voran, Our flag flutters before us
Uns're Fahne ist die neue Zeit. Our flag is the new time
Und die Fahne führt uns in die Ewigkeit! And the flag leads us into eternity
Ja die Fahne ist mehr als der Tod! Yes the flag is more to us than death



Monday, March 08, 2010



Nazi Music: One of the engines of Nazism

A brief historical introduction



This is a difficult subject to broach both because of its political sensitivity and because musical tastes differ so much from person to person.  While there is some music that has near-universal appeal (some of the arias from "Carmen", for instance), it also seems to be true that no two persons have exactly the same musical preferences and that must obviously influence how Nazi music is perceived and evaluated.

It is also  a field that is  bound up with emotion so it is both difficult and dangerous to attempt the sort of objective comments that should characterize any discussion of history.   I think however that we need to take a stab at it.  And I submit  that it is a grave omission to neglect music as an element in the historical appeal of Nazism to Germans.  Wherever they marched, Nazi formations sang  -- be they Hitler Youth, brownshirts or the armed forces.  And being German, their music was very good.  Germany is the home of good music.  German-speaking people are responsible for something like two thirds of the classical repertoire  -- from Bach and  Handel to Haydn, Mozart, Beethoven, Schubert, Brahms, Wagner, Schumann etc.

As a libertarian, any form of Fascism is anathema to me but I think it was William Booth (founder of the Salvation Army) who noted that the Devil had all the good songs.  And the Nazis, just because they were German DID have many good songs.  There were many Fascist movements worldwide in the first half of the 20th century but none of them were remotely as musical as the Nazis. 

So good music had great power to move a musical people and it seems clear to me that music was one of the things that made Germans march for Hitler.  Music is however a form of communication that  transcends time and space so it seems to me that there is one way that I can support my contention about the importance of music to the appeal of Nazism:  I can actually play you some of the music and you can judge it for yourself.  I start with the Badenweiler march.  This is actually a First World War march but Hitler made it his own.  It was normally played only in his presence.  It announced his arrival at rallies etc. 



The famous song of the S.A. (Brownshirts) was of course the Horst Wessel Lied.  It refers to prewar street fighting with the "Reds".  There is no rivalry like sibling rivalry, though after Hitler came to power, many of the Reds simply joined the Nazis. 



The English translation is a poor thing but I give it below for those who understand no German.

The flag high! The ranks tightly closed!
SA march with calm, firm steps.
Comrades shot by the Red Front and reactionaries
March in spirit in our ranks.
Clear the streets for the brown battalions,
Clear the streets for the stormtroopers!
Already millions look with hope to the swastika
The day of freedom and bread is dawning!
Roll call has sounded for the last time
We are all already prepared for the fight!
Soon Hitler's flag will fly over all streets.
Our servitude will soon end!
The flag high! The ranks tightly closed!
SA marches with a calm, firm pace.
Comrades shot by the Red Front and reactionaries
March in spirit in our ranks.

The original is much more moving:

Die Fahne hoch! Die Reihen fest geschlossen!
SA marschiert mit ruhig, festem Schritt.
Kam'raden, die Rotfront und Reaktion erschossen,
Marschier'n im Geist in unser'n Reihen mit.
Die Strasse frei den braunen Batallionen.
Die Strasse frei dem Sturmabteilungsmann!
Es schau'n aufs Hakenkreuz voll Hoffnung schon Millionen.
Der Tag fuer Freiheit und fuer Brot bricht an!
Zum letzten Mal wird schon Appell geblasen!
Zum Kampfe steh'n wir alle schon bereit!
Bald flattern Hitlerfahnen ueber alle Strassen.
Die Knechtschaft dauert nur mehr kurze Zeit!
Die Fahne hoch! Die Reihen fest geschlossen!
SA marschiert mit ruhig-festem Schritt.
Kameraden, die Rotfront und Reaktion erschossen,
Marschieren im Geist in unseren Reihen mit.

Then there is Vorwaerts, Vorwaerts  -- the very  inspirational song of the Hitler Youth.  It absolutely EXUDES dedication and heroism.  The power of it may perhaps be judged from the fact that it is still illegal to play or sing it in Germany today.  The words are actually quite simple and that may be the reason why some commenters describe them as banal -- but those who sang it certainly did not see it that way.  They lived it during the closing stages of the war  -- displaying great heroism in defending their country.  The idealism  is probably one of the reasons why those survivors of the Hitler Youth who are still alive today often have warm memories of their time in the Hitler Youth.



There is actually a better rendition of the song here but it lacks subtitles

For those who wish to study the song, I also give the words below with my translation.

Refrain:

Uns're Fahne flattert uns voran.  Our flag flutters before us
In die Zukunft ziehen wir Mann fuer Mann We trek into the future as man for man
Wir marschieren fuer Hitler We march for Hitler
Durch Nacht und durch Not Through night and hardship
Mit der Fahne der Jugend With the flag of youth
Fuer Freiheit und Brot. For freedom and bread
Uns're Fahne flattert uns voran, Our flag flutters before us
Uns're Fahne ist die neue Zeit. Our flag is the new time
Und die Fahne fuehrt uns in die Ewigkeit! And the flag leads us into eternity
Ja die Fahne ist mehr als der Tod! Yes the flag is more to us than death

1).
Vorwaerts! Vorwaerts! Forwards, forwards
Schmettern die hellen Fanfaren, Blare the bright fanfares
Vorwaerts! Vorwaerts! Forwards, forwards
Jugend kennt keine Gefahren. Youth knows no danger
Deutschland, du wirst leuchtend stehn Germany, you will brightly stand
Moegen wir auch untergehn. Even if we have to die
Vorwaerts! Vorwaerts! Forwards, forwards
Schmettern die hellen Fanfaren, Blare the bright fanfares
Vorwaerts! Vorwaerts! Forwards, forwards
Jugend kennt keine Gefahren. Youth knows no danger
Ist das Ziel auch noch so hoch, No matter how high the goal
Jugend zwingt es doch. Youth will force it through

2.)
Jugend! Jugend! Youth, Youth
Wir sind der Zukunft Soldaten. We are the soldiers of the future
Jugend! Jugend! Youth, Youth
Traeger der kommenden Taten. Bearers of coming deeds
Ja, durch unsre Faeuste faellt  Yes, through our fists fall
Wer sich uns entgegenstellt Anyone who opposes us
Jugend! Jugend! Youth, Youth
Wir sind der Zukunft Soldaten. We are the soldiers of the future
Jugend! Jugend! Youth, Youth
Traeger der kommenden Taten. Bearers of coming deeds
Fuehrer, wir gehoeren dir, Leader, we belong to you
Wir Kameraden, dir! We are your comrades


Hitler youths using their fanfare trumpets

For more on the HJ (Hitler Youth) see here



There is of course much more Nazi music but the above will hopefully give you the idea.  My apologies to any Jewish readers who may be offended by this article  but Wagner is performed  in Israel these days so I think the time has come when music can be judged as music, regardless of its appalling associations.

And Hitler himself loved his music. The photo below shows him in white tie and tails attending the Wagner opera festival at Bayreuth in 1939.  There is no doubt of his real devotion to opera  -- and indeed to classical music generally